I went down to our local bookstore the other night to hear Dan Chaon read and I learned how to pronounce his name (It turns out it's shawn). That, of course, wasn't why I slammed down a burrito and ran out the door tossing out homework instructions and bathing advice to my children. I went because I couldn't get enough of Await Your Reply (which I've already raved about on this blog). My pilgrimmage was rewarded by hearing Chaon read a deleted scene that is included in the paperback edition of his novel. A deleted scene! I love it. And it added a tiny piece of the puzzle to a story that is nothing but puzzles. Plus there was another writer sharing the stage with Chaon, Emily St. Mandel, and she was charming, funny, relaxed, and I'll end up buying The Singer's Gun if not her first book, Last Night in Montreal.
But readings/signings are a bizarre little thing. It must be awkward for the writer. Writers tend to spend a lot of time by themselves, crafting sentences in the confines of their own minds and/or tiny rooms. Not always the best way to prep for public speaking. It can be weird for the host, too. What if no one shows up? A friend who worked as a liaison for writers at another small bookstore once spent a horrible few hours with a photographer who refused to talk to anyone who even looked as though they were coming near his signing table. He wouldn't even chitchat with her. He had a gorgeous book of photos of Paris but I guess the expression "it sells itself" doesn't always hold. If you really want to hear how hard it can be for even the most enthusiastic author, read David Sedaris on the subject of hawking a book at a Costco. It's probably better if the author has no ego.
And of course, it can be weird and fraught for the audience. I was at Dan Chaon with a friend who told me her embarrassing moment at a Steve Almond reading recently. She admits herself that she is just a bit overly obsessed with Steve Almond so you'd think she'd be pleased to be singled out by him at a reading. Uh, well, not if it's because she's stumbling in late (babysitter issues) to sit in the front row and not if it's because Almond (who is a very funny guy) decides to point this out in a helpful manner. Apparently he announced, "Well, if that isn't disruptive," as she slunk in across the creaky, old floor.
I once coughed my way through a reading by Susan Minot. And I don't mean a polite little cough into a delicate handkerchief. This was in college and I had developed one of those upper respiratory infections that someone with good insurance and maybe a mom's advice would have had looked at, but no, I felt I just had to go to this reading. Did I sit discreetly on the end of a row? Hell, no! I was a big fan! I sat in the very center of the crowd. I'm sure everyone, including Susan Minot hated me within five minutes, and probably still uses me as a negative example when they blog about author readings.
And of course it also turns out that there is such a thing as a stupid question and you'll hear a good many of them at readings. I heard someone ask why an author always used the same name for characters. Was this a special person in the author's life? Well, no, because it turned out the author had only used that name once and in only one book, so, um, wasn't really sure how to answer the self-proclaimed greatest fan's question. Sometimes you just get a lot of would-be writers in the audience who monopolize the author to glean tidbits of wisdom interesting only to their own narrow needs. And there are always people who ask for clarification of painfully obvious plot points. Still, it's worse if no one asks a question so at times, you just hope that some fan will come in clutching a well-worn book and announce that the work spoke directly to their soul. No, really, it did.
I don't get to as many readings as I would like. In fact, I'm missing Ann Beattie tonight and Beattie is a writer I greatly admired in college. She was the epitome of 80s short stories and who I wanted to be. I think it's even good to go to the no-namers, the locals. Yep, I saw Dan Brown before he was DAN BROWN because he's a local (or was, I should say). At the time, I mostly liked the cover of Angels and Demons and he worked right upstairs and we were kind of just filling the room. That night, I learned more than I'll ever need to know about the Masons, but I never did read his book(s).
I've seen authors who wouldn't shut up. I've seen authors who clearly need to update their jacket photos. Or maybe not. It's a bit like radio personalities. They have a voice and then there's their actual presence. It can be a bit jarring. Still, I wonder if they look out at us--dumb, adoring, bored, yearning--and think, My God, are these my readers?
Where did Barry Jenkins feel safe as a kid? Atop a tree
49 minutes ago
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